Fernanda Farah - MuseumsQuartier Wien
Fernanda Farah area: E-Music © Fernanda Farah © Fernanda Farah Key Facts nationality Brazil area E-Music residence Curitiba (Brazil), Berlin recommending institution charhizma time period April 2005 -
Anna Zaradny - MuseumsQuartier Wien
Anna Zaradny area: E-Music © Anna Zaradny © Anna Zaradny © Anna Zaradny Key Facts nationality Poland area E-Music residence Szczecin recommending institution institut5haus time period February 2005 - March [...] Zaradny – classically trained saxophone player, graduate of Music Academy. She uses her studies on field of improvised and experimental music. The instrument is open, organic possibility, she searching [...] electronic music. By this she easly deals with digital noise and new electronica. Last period of art activity Zaradny dedicated to cooperation with theatre groups, she composes and produces music for theatre
Kalle Laar - MuseumsQuartier Wien
visual profile in cities around the world, vinyl picture discs grew out of Laar’s interest in the musical possibilities of the sounds that surround us in daily life and Wesely’s time lapse photography. In
Nicole Hewitt - MuseumsQuartier Wien
of Contemporary Art Zagreb catalogues, nu: The Nordic Art Review, Zagreb Bienale of Contemporary Music catalogue essays. Books and publications: Against Our Will, Susan Brownmiller, Naklada Ljevak, Zagreb
Charlemagne Palestine
Brussels, is one of the pioneers of minimal music, along with La Monte Young, Terry Riley and Philip Glass. His best-known work is the album Strumming Music (1974), on which he plays two different notes [...] MINIMESHUGGAHHTONSPURLAANDTTTT!!! the pioneer of minimal music, who nevertheless refuses this label and claims the concept of maximalism for his music, already created an unforgettable sound installation in
MQ Artist-in-Residence Razahk Issaka
direction, capturing visual nuances that deeply resonate with audiences. Beyond visuals, his prowess in music scoring and production infuses projects with auditory brilliance. His meticulous approach to worl
Boris Hegenbart
our day’s digital technologies of music production and sound synthesis, without restricting himself by software limitations. For him, this software, as well as music-samples and sounds of his everyday
MQ Artist-in-Residence Chaz Underriner
Gaudeamus, the Moscow State Philharmonic Society, the International Computer Music Conference, the Impuls Festival, Ostrava New Music Days, and the Timucua Arts Foundation. As an engineer, composer, and performer
Yann Gonzalez on details, sexuality and longing in his films
indeed what makes the difference within a scene. The color of an outfit, a specific chord in the music, the inflection of a voice…: most of the time it’s irrational and it’s impossible to truly understand
Balázs Turai on dramatic narratives, aesthetics and moral-artistic labyrinths
symbiosis, musical and visual details dancing with each other, like in a Winamp music visualisation or those Tom and Jerry episodes completely set to a music score and reacting to the music's every vibration [...] animation first and music after, or music first, illustrated with animation, or even the two simultaneously (for a web series that had to be produced very quickly). For me music and animation are very [...] very close mediums, animation has a lot of musicality. It's nice to play with different registers of how they can meet: music can act as traditional film music, giving emotional cues and setting the narrative