MuseumsQuartier: Astrid Peterle becomes new chief curator of the large cultural complex - MuseumsQuartier Wien
forward to working with her. I would like to congratulate Verena Kaspar-Eisert on her well-deserved career move. During our more than ten years of collaboration, which began at Kunst Haus Wien in 2014, we
The Animistic Animation Art of Osbert Parker
and it’s interesting because they would have had a life, they were a child, they would have had a career, maybe a family? A house? And something went wrong and all of us are in a similar situation, we lose
Interview with Artist-in-Residence Corrie Francis Parks
the east coast of the United States. I guess I started animation in a more traditional sense but my career has taken an experimental turn. I primarily work with sand, but I also use a lot of digital techniques [...] or is it just an experiment for yourself? It's been changing a little bit. I think earlier in my career I was more interested in telling stories and now I'm more interested in people having an experience
EDUCULT - Institute of Cultural Policy and Cultural Management - MuseumsQuartier Wien
backgrounds to share their works with an audience. They are either at the beginning of their artistic career or the experience of migration has made them new to Vienna. In order to create spaces of communication
Fulbright Austria: Full of bright minds. - MuseumsQuartier Wien
l Day an der Universität Salzburg Date: Thu, Mar 26, 14–14:30 Venue: Danube International School Career Links 2020, IMC FH KREMS advice on Fulbright scholarships and studying in the US Date: Tue, Mar 31
Cecilia Araneda: It's time for experimental to grow up and challenge itself with content - MuseumsQuartier Wien
collective. What is important to you in this aspect of your artistic work? It’s difficult to navigate a career as an artist, as a lot of opportunity is handed down through who you know. There are many things [...] hobbyism. So, I am working with Latin women, a group of artists working at different stages in their careers, who only have in common a cultural point of departure. We work within a process of professional [...] filmmaking, I do think it is the responsibility of experimental filmmakers at a certain point in their careers to also find people who do not look like them and do not come from their same culture, to exchange
Alma Lily Rayner: It feels like I have to do art in order to breathe - MuseumsQuartier Wien
people react differently towards your art in these two cities? Throughout my so called professional career I have lived in Prague. I moved there when I was 19 years old. But I see the differences when I work
Jill Scott: Eskin 4 the Visually Impaired - MuseumsQuartier Wien
the art/science community. How conflicting is it to be an artist and also at the same time have a career in academic institutions? Its not conflicting at all. If you want to stay experimental then keep
Interview with Ljiljana Maletin Vojvodić - MuseumsQuartier Wien
your writing is inspired more by the visual arts than by other writers? Maybe at this stage in my career. First, by different cultures and then by visual arts. But I can only repeat: everything is about
MQ: 100 Years of the Republic – A Film Exhibition with a Focus on Democracy at the frei_raum Q21 exhibition space - MuseumsQuartier Wien
pupils at the convent school, the unfaithfulness of admirers, and the most important stages of her career such as Paris and New York in 14 verses. “Happy-End” by Peter Tscherkassky, based on home movies