Cecilia Araneda: It's time for experimental to grow up and challenge itself with content - MuseumsQuartier Wien
collective. What is important to you in this aspect of your artistic work? It’s difficult to navigate a career as an artist, as a lot of opportunity is handed down through who you know. There are many things [...] hobbyism. So, I am working with Latin women, a group of artists working at different stages in their careers, who only have in common a cultural point of departure. We work within a process of professional [...] filmmaking, I do think it is the responsibility of experimental filmmakers at a certain point in their careers to also find people who do not look like them and do not come from their same culture, to exchange
Alma Lily Rayner: It feels like I have to do art in order to breathe - MuseumsQuartier Wien
people react differently towards your art in these two cities? Throughout my so called professional career I have lived in Prague. I moved there when I was 19 years old. But I see the differences when I work
Jill Scott: Eskin 4 the Visually Impaired - MuseumsQuartier Wien
the art/science community. How conflicting is it to be an artist and also at the same time have a career in academic institutions? Its not conflicting at all. If you want to stay experimental then keep
Interview with Ljiljana Maletin Vojvodić - MuseumsQuartier Wien
your writing is inspired more by the visual arts than by other writers? Maybe at this stage in my career. First, by different cultures and then by visual arts. But I can only repeat: everything is about
MQ: 100 Years of the Republic – A Film Exhibition with a Focus on Democracy at the frei_raum Q21 exhibition space - MuseumsQuartier Wien
pupils at the convent school, the unfaithfulness of admirers, and the most important stages of her career such as Paris and New York in 14 verses. “Happy-End” by Peter Tscherkassky, based on home movies
VIENNA ART WEEK 2017: Studio Visit - MuseumsQuartier Wien
History Project, a collection of digital interviews documenting the lives and careers of women in rock whose work and careers have been underrepresented or omitted from rock journalism and historical scholarship