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Britta Wirthmüller (D) / Petra Zanki (HR): VIERFÜSSER

04.11.2011 to 05.11.2011

Britta Wirthmüller (D) / Petra Zanki (HR): VIERFÜSSER

DANCE/PERFORMANCE/MUSIC


Britta Wirthmüller (D) / Petra Zanki (HR): VIERFÜSSER Britta Wirthmüller (D) / Petra Zanki (HR): VIERFÜSSER

Previous dates

sat, 05.11.2011
fri, 04.11.2011

All dates

Days with event

November 2011
01 tue
02 wed
03 thu
04 fri
05 sat

06 sun
07 mo
08 tue
09 wed

10 thu

11 fri
12 sat
13 sun
14 mo
15 tue

16 wed
17 thu
18 fri

19 sat
20 sun

21 mo
22 tue
23 wed
24 thu
25 fri

26 sat
27 sun

28 mo
29 tue
30 wed

Britta Wirthmüller (D): Kissing Elisabeth
Britta Wirthmüller (D) / Petra Zanki (HR): VIERFÜSSER


Date:
Fri, Nov 4 and Sat, Nov 5, 20:30
Venue:
TQW / Studios


Britta Wirthmüller (D): Kissing Elisabeth

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How do bodies appear? And who or what makes them disappear again? Kissing Elisabeth follows the question of how our society produces bodies and how the relationship of those who do not participate and those who do is constantly being reformulated. In her solo, Britta Wirthmüller shows a body that, despite its complete physical presence, makes space for the unimaginable, the unutterable and the unportrayable, that takes us to the boundaries of what we can conceive.

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Concept, Performance: Britta Wirthmüller

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Britta Wirthmüller (D) / Petra Zanki (HR): VIERFÜSSER
Austrian Première

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We associate the upright gait with the human body. When the body axis turns 90 degrees and the head takes its place on the horizontal together with the trunk and the posterior, then another body emerges: that of the animal, the crawling child, the beggar ...
In their joint work the two choreographers Petra Zanki and Britta Wirthmüller start from human physicality itself and go as in Vierfüsser (Quadrupeds) on their hands and knees. In their dense and precisely composed duet, they not only touch on the current images, patterns of perception, and movements associated with the body and its locomotion possibilities, but also open up their choreographic research to the formal aspects of the body as an \"object\", to animalistic designs of the \"human as a stage animal\".

Concept, Choreography, Text, Performance: Petra Zanki & Britta Wirthmüller

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