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Kund Kopacz

Kund Kopacz

area: Research, Theory

Key Facts

nationality

Romania

area

Research, Theory

residence

Cluj Napoca

recommending institution

tranzit.org/ERSTE Stiftung

time period

March 2016 - March 2016

born in ‘91, Csíkszereda, Romania.
Since October I have organised and co-managed six cooking events (www.kantincluj.blogspot.com), which served as a platform for sparking up social awareness among individuals who were not engaged in this kind of activity before. Thanks to these events, I got to know the people of (A)casă (http:/acasacluj.noblogs.org) and get involved in their activity.

2010

Geumgang Nature Art Biennale / assistant / Gong-Ju, South Korea
2011
“Magtart” International Nature Art Symposium / assistant / Bódvaszilas, Hungary
2013
ESSL Art Award CEE winner + VIG Special Invitation in Hungary
Mai Manó House / “Nominees night” group exhibition / Budapest, Hungary
ESSL Museum / “Transcending Cultures” group exhibition / Klosterneuburg,Austria
Minimum Party / Nature art workshop with Erőss István / Kászon, România
Kepes Institute / workflow and installation at the “Ekler Dezső retrospective exhibition” / Eger, Hungary
2014
Ringturm gallery / “Young Art from CEE” group exhibition / Vienna, Austria
Kepes Institute / diploma exhibition / Eger, Hungary
MAMŰ Gallery / “Natural Substances” group exhibition / Budapest, Hungary
ISI Gallery / “VAD” group exhibition / Yogyakarta, Indonesia
2015
MAMŰ Gallery / “Sketch” group exhibition of the new MAMŰ members / Budapest
Incubarte 7 Festival @ Sala Lametro / group exhibition / Valencia, Spain
Erasmus+ traineeship in the studio of Virgilius Moldovan / Vienna, Austria
Nature Art camp / workflow and installation / Márokföld, Hungary
FKSE Gallery / “GREEN” group exhibition / Budapest, Hungary
ESSL Museum / Faszination Fotografie, group exhibition / Klosterneuburg, Austria

Kund Kopacz

Projectinfo

The research will focus on the artistic interventions in public space, during the last 25 years across Romania and the Republic of Moldova, resulting in a physical library to be placed at the University of Arts and Design Cluj Napoca and an online archive of the digitised publications/documentations. This project is part of my MA thesis and diploma work, that consists of the rearrangement of the university’s yet chaotic garden, involving the construction of a platform for various activities and social cohesion.
More on the project can be read at (in romanian):
http://kopaczkund.info/index.php/project/neorinduiala/

Documentation

A PRACTICAL LIBRARY is a collection of all sorts of publications dealing with artistic interventions in public space. it’s purpose is educative it’s impact is unpredictable. it is only a small portion of a comprehensive concept.
the concept of interaction as artistic technique. it is not art, it is information the technique of spreading information it is practice, that might result art it does not want to influence art intends to influence artists, students and professors.
it is a reaction on the social turn it is a critique of academic curriculum but also an alternative to an existing structure. this is nothing new nor colonial. it was born out of necessities that are very real in the schools’s environment.
Initially, I assumed to create both a physical and digital platform inside the university, where various mediums could manifest (lectures, independent theatre, cinema, etc) and students would end up with a space/place which is in their hands, free of oversight and control by the university’s authorities. This intention is still viable and will be proposed and propagated in a way, so that in a future scenario it can be implemented instantly. The concept is to build a framework, that eventually auto-regulates and grows organically. Due to the lack of support, understanding, common mentality, carelessness, conservatism, slowness, laziness, creativity and imagination from the authorities’ and students’ association side, I started working towards this through different methods. And so the project turned into a research and action based program, which intends to grow a student community that will back, support and give voice to such demands, in case someone takes up and further the project.
During the residency I started making contacts with individuals and institutions from Moldova and Romania, that were and are engaged and supporting collaborative, participatory projects, asking them to donate publications on the topic of interventions in public space. After the residency, I travelled to Timișoara, Bucharest, Iași, Chișinău and Cluj for collecting the 50+ publications. Parallel to this, I did online research and information structuring.
The following spreadsheet is an incomplete list of links to websites, online articles, individual actions and publications, that deal with or present a provocative or participative or collaborative or engaged practice, coming from the cultural sector and going into public space. Although initially my focus was on artistic practice, during the research it was impossible to leave out a couple of actions, that were initiated and carried out by architects.
Categorisation is the most difficult part, since every intervention falls into an experimental domain, where one can find characteristics of contemporary dance, critical theory, sociology, architecture, activism and fine art.
This list accompanies a modest collection of Romanian and Moldovan printed publications dealing with artistic interventions in public space. These two (list and books) will be presented to the university’s students at a cultural/culinary event accompanying the main project called neorînduială (wordplay in Romanian, meaning disorder and new order in the same time). In the following few lines, I will briefly highlight the process of neorînduială from it’s start.
Late 2015, I have designed and printed a brochure, that contained an ironic poem, wordplays highlighting specific problems, a dry description of the project, and went around every single class to introduce it and to collect signatures for support. Early January 2016, a temporary info-kiosk was opened, displaying a 3D render of the school and it’s garden, on which students could pin specific pressure points; suggestions were noted and as result, late February, an open call was launched targeting the university’s students to rethink the school’s environment, inviting them to sketch and show their ideas about how the place/space can be regenerated, arranged and used in a clever way. The results of this call will be collected and displayed in-situ, together with the books and publications of the research. Until now, not one single detailed plan on paper has arrived, although every single student expressed their enthusiasm and support and many new ideas came to light. On one hand, this is the result of a long traition of discouraging collective manifestations, and laziness on the other. Late April, I have gathered sculptures from a specific space in the garden, put them on europallets in the middle of the parking lot, blocking it for one day, but eventually rearranging the now free space with benches made out of the same pallets, the backs’ of which are now supported by some of the sculptures, as a gesture of giving them meaning. It was an ironic and provocative intervention, that drew the professors’ attention on constructive critique. The project and practice’s concept will be presented for the school’s administration and it’s library, confronting them with a material, that is hard to ignore. The diploma work, dissertation and theoretical approach will be distilled in the form of a printed publication, detailing every single proposal, being prepared for further consultation. It is my intention to spare the brainwork and energy of the exhausted leadership. Although collaboration, participation and engagement is propagated in every single action and suggested among professors as well, students are still uncertain about how to proceed, since this means out-of school activity in which they see no direct benefit and the indirect benefits are still very abstract notions. As a consequence, this project means individual work on every level, a sort of ‘directed reality’, something that I wished to eliminate, but which is impossible at this moment.
In the near future the list will be transformed into a website, accompanied by an online catalog. The collected books will be donated to the school and I will try to include these on the university’s official website, along with several other suggestions, that provide alternative sources of information to the students and not only.
Further info, text, sketches, proposals and photos can be viewed at: www.neorinduiala.wordpress.com 

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