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Ingeborg Lockemann

Ingeborg Lockemann

area: Visual Art

© Ingeborg Lockemann

© Ingeborg Lockemann

Key Facts




Visual Art



recommending institution

freiraum quartier21 INTERNATIONAL

time period

July 2014 - July 2014

1962 born in Jena
1983-88 Theology studies in East Berlin
1991-97 sculpture studies at Kunsthochschule Berlin-Weißensee and Kunstakademie Wien with Inge Mahn and Michelangelo Pistoletto


2008 project funding Art Senate Berlin for „Sleeper House“ (with Elke Mohr)
2007 Senate stipend Berlin
2006 project funding Art senate Berlin for "M" (with Elke Mohr)
project and catalog funding Künstlerhaus Schloss Balmoral
2005 International Studio Program Goyang Art Studio (Korea)
2004 Hooksiel-Stipend
project funding Hauptstadtkulturfonds
2003 catalog funding, Senate of Berlin
2002 Stipend Künstlerdorf Schöppingen
Stipend Werkleitz
2001 Balmoral-Stipend of Rheinland-Pfalz,
1999 Senate stipend/artist funding Berlin,
1998 Hap-Grieshaber-Stipend
DAAD-Stipend Nigeria
1997 Mart-Stam-sponsorship award
1996 Erasmus - Stipend Vienna
work stipend Kulturfonds Berlin

Exhibitions (Selection):

2013 Dropped, Galerie M, Berlin (with Elke Mohr)
Landscapeism, PAK Glücksstadt (G)
2012 Extreme Crafts, Freies Museum, Berlin (G)
2011 „Ideale“, Reiss-Engelhorn-Museen, Mannheim (with Elke Mohr)
2010 Balmoral Blend, Arp - Museum Koblenz (G)
2008 „Sleeperhouse-Kanzleramt“, (with Elke Mohr)
Cluster, Berlin and Jimmy Sellars Project Space, Denver
2007 „Förderkohle“, NBK, Berlin (G)
„WALK!“, Kunstraum Kreuzberg, Berlin (G)
2006 Goyang Art Studio Exhibition, Seoul (G)
"Uwaga", Kunstverein Aichach (G)
"Ambassadors for Advertisements / Werbebotschafter"
Goethe-Institut Dakar und Goethe-Institut Accra (E);
2004 "Coup de Coeur II", CRAC Alsace, Altkirch (G);
"Fenster zum Hof" (G), NGBK, Berlin;
"Feldforschung", Kunsthalle Hamburg (G, with Galerie für Landschaftskunst)


Advertising Slogans – Advertisements from Ghana for European businesses
in cooperation with ad designers / artists from Ghana
The posters advertise for companies active in the German-speaking region, whose image, claims, and corporate identity are well-known and visible in the public space. The poster design will not be commissioned to local advertising companies, but to designers/poster artists from Ghana.
I want to win businesses for the project and establish the communication between companies and African advertisers.
The visual culture of society will be used in advertising like an archive to develop image-strategies. Publicity generating advertising slogans reflects the locally contextualized shift, which is at the basis of the project - therefore challenging the strategies and image statements of conventional advertising here.

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