Yoshinori Niwa - MuseumsQuartier Wien
commissioned and produced by steirischer herbst’18. As a public campaign, I offer to dispose of any kinds of unwanted or compromising memorabilia from the fascist era, people can dump those objects into the
Chase Masterson - MuseumsQuartier Wien
when apologies are done sincerely. I’m sorry / VIENNA will be the first video installation of its kind. Through advance publicity, we will invite people of all ages, who representing any form of bullying
Tomoko Kawai - MuseumsQuartier Wien
aesthetics, based on the sensations and experience that she gains through photography, including all kinds of physical activity and mobility. Recent exhibitions include Japanese Contemporary photography Vol
Hannah Stragholz - MuseumsQuartier Wien
und in freier Produktion sind Arbeiten an Animationen für einen abendfüllenden Dokumentarfilm für Kinder abgeschlossen worden. In den darauffolgenden Jahren entstehen mehrere filmische Arbeiten von ihr
News - MuseumsQuartier Wien
Das Spektrum reicht von bildender Kunst, Architektur, Musik, Mode, Theater, Tanz, Literatur, Kinderkultur, Game Culture, Street Art bis hin zu Fotografie und Design. Ein vielfältiges Public-Art-Programm
Artist-in-Residence Aleksandra Kononchenko
each performance. 2. I’m moving from one place to another all the time, sometimes with different kinds of jobs. I would like to come back to simplicity and slowness (because I have a feeling that I’m starting [...] it) and make simple portraits for people who are around and for locals. So I would like to have a kind of “Open studio” where people can visit me anytime and get a portrait.
The Animistic Animation Art of Osbert Parker
humorous, darker or surreal spaces. Helmut: As a contrast… Osbert: Yes I think this is kind normal in England, kind of sarcastic and dark sense of humour. Stefan: I understand that certain things are very [...] film techniques, that combine photo cut-out animation with objects and live action to create one-of-a-kind imaginary landscapes in mixed media short films, commercials, TV entertainment and online content
Q21 Artist-in-Residence Osbert Parker
film techniques, that combine photo cut-out animation with objects and live action to create one-of-a-kind imaginary landscapes in mixed media short films, commercials, TV entertainment and online content
Empathy and Shame. Georg Schöllhammer in conversation with Doris Uhlich
have become more and more interested in the intermingling of performers and spectators in space – the kind of spatial constellation that is challenging to realize in times of a pandemic. A digital work functions [...] the group is united by a common idea and vision. I like to create utopian spaces that can become a kind of short-term reality in a performative context. I’m thinking here mainly of utopias of community
Interview with Q21 Artist-in-Residence Héloïse Ferlay
they’re a window, to the soul, to the emotions. But with stop-motion puppets, there’s always some kind of distance because you know you’re not looking into real eyes. I decided to make them as realistic [...] with all those wide possibilities. You need to make more choices. And making choices, I think, is kind of difficult! And it’s also quite the responsibility, when it comes to representation of power, for