Nancy Mauro-Flude aka sister0 - MuseumsQuartier Wien
vaudeville and the concerns of the psyche, her work weaves together transcendent practices of many kinds while feeding from the rot and beauty of contemporary daily life'. -Filter Magazine, Linda Dement
Luljeta Lleshanaku - MuseumsQuartier Wien
London, 2011), Fresco (New Directions, USA, 2002), Child of nature (New Directions, USA, 2010), Kinder der Natur (Edition Korrespondenzen, Austria, 2010), Dzieci natury ( Stowo / Terytoria Obraz, Poland
Kund Kopacz - MuseumsQuartier Wien
served as a platform for sparking up social awareness among individuals who were not engaged in this kind of activity before. Thanks to these events, I got to know the people of (A)casă (<link http: acasacluj
Heike Drewelow - MuseumsQuartier Wien
Projektinfo Zeichnen eines Kinderbuches Dokumentation August 2013 – Artist in Residence auf Einladung der Komischen Künste Wien - Arbeit an den Illustrationen für das Kinderbuch „Füchse lügen nicht“, das
Rainer Riehn - MuseumsQuartier Wien
Wege ( Europeras 1 & 2 ). Als Komponist ist Riehn zuletzt mit dem Streichtrio nichts - als das Kinderspiel eines Erwachsenen hervorgetreten, das 2002 vom trio recherche in Konstanz uraufgeführt wurde. Außerdem
Daniela & Linda Dostálková - MuseumsQuartier Wien
exchange between institutions that opens to a mutual understanding. The proposition is commenting on a kind of generalized aesthetic practice that thrives on a pragmatic stretching of boundaries or on the
Reece Terris - MuseumsQuartier Wien
something new and imposing in this environment, 'Dig' performs a kind of recycling of media and a reshaping of landscape to suggest that this kind of re-contextualization can also be a form of production.
Senka Maric - MuseumsQuartier Wien
lead us to embrace our differences and learn from one other, and also, since literature itself is kind of a living organism, constantly evolving, that growth can only happen through contact with its s
Bego M Santiago - MuseumsQuartier Wien
individual can have a extreme or rapid change in mood. There is emotional contagion or imitation, a kind of underground communication. This underground communication explain by Richard Dawkins' in 1976 as
Roman Štětina - MuseumsQuartier Wien
For a longer period of time, I had an urge to compensate for my frequent work at a computer by some kind of manual activity which would require fine motor activity. I spent several long hours in an art shop