Zum Inhalt

Astrit Ismaili

Astrit Ismaili

Bereich: Performance

Astrit Ismaili

Miss Kosovo (2020), Performance: Astrit Ismaili

Photo: Melanie Gluck Berlin

Astrit Ismaili

Miss (2020), Perfromance: Astrit Ismaili

Photo: Alwin Poiana

Astrit Ismaili

Miss (2020), Performance: Astrit Ismaili, Magdalena Mitterhofer, Ivan Cheng

Photo: Guillame Baeriswyl, Les Urbaines 2019

Astrit Ismaili

The New Body (2018), Performance: Astrit Ismaili

Photo: Astrit Ismaili

Astrit Ismaili

The Pregnant Boy (2016), Performance: Astrit Ismaili

Photo: Rowan Fernandes

Key Facts







Empfehlende Institution



Juli 2021 - Juli 2021

ASTRIT ISMAILI (*Prishtina, 1991), is a performance artist from Kosovo based in Amsterdam. Their work proposes bodies that consist of both imaginary and material realities, using alter egos, body extensions and wearable music instruments to embody different possibilities for becoming. Within their practice, the act of singing is used to explore the role of voice in pop culture and identity politics. Astrit Ismaili graduated from the MA in Performance at DasArts in Amsterdam.

They have shown work at ISCP, New York, S.A.L.T.S., Basel, KW Institute for Contemporary Art, Berlin, The Stedelijk Museum, Amsterdam, Kunstverein, Amsterdam, Salzburger Kunstverein, Salzburg, Robert Grunenberg Gallery, Berlin, Juliette Jongma Gallery, Amsterdam, Frascati Theater, Amsterdam, Corzo Theater, Den Hague, Spielart Festival, Munich, Kaserne Theater, Basel etc.

They are recipient of the Mondriaan Fund Project Investment Grant 2018-2019 — and the Young Visual Artists Award 2011 and were a resident at ISCP in New York. They co-organised the performance project ‘Prishtine Mon Amour’ in 2012 in Pristina and co-curated of a number of ‘Lost & Found’ events in 2018-2019 in Amsterdam.

Astrit Ismaili

Photo: Astrit Ismaili


The pop operetta 'MISS' that will be presented at ImPulsTanz 2021 brings three historical refrences to life. The first 'The First Flower' symbolises the evolution from the first plant to flowering plants and the associated change in their reproductive process.

The second is Cicciolina, a public figure from the 80's whose career evolved from porn star to pop musician, politician and member of the Italian Parliament.

The third is 'Miss Kosovo', a fictional figure inspired by Kosovo's transition as part of Yugoslavia to an independent state. Although the three references are not historically related, they are born from a similar circumstance – one in which creativity is used as a method of dealing with restriction and limitation.

During the residency Astrit will investigate further the notion 'creativity when limited' which is a recurring subject in their work. Through drawing, music composition and wearable musical instruments Astrit will explore different ways of archiving and preserving the multi-layered nature of their project 'Miss'.

Zur Hauptnavigation

Cookie Einstellungen

Diese Website verwendet Cookies, um Ihnen den bestmöglichen Service zu gewährleisten. Durch die Nutzung dieser Website erklären Sie sich mit der Verwendung von Cookies einverstanden. Detaillierte Informationen finden Sie in unserer Datenschutzerklärung

Technisch notwendig

Unbedingt notwendige Cookies um grundlegende Funktionen der Website sicherzustellen.


Funktionelle Cookies um die Leistung der Webseite sicherzustellen.


Zielorientierte Cookies um das Benutzererlebnis zu verbessern.