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MQ History

From the Royal Stables to the MuseumsQuartier

Watercolor painting of the MQ courtyard by Balthasar Wiegand from 1834.
Balthasar Wigand, Die kaiserlichen Stallungen in Wien am 17. Dez 1834 © ÖNB

The MQ opened in June 2001, but this most successful arts and culture complex once housed up to 600 horses and 200 carriages.

Imperial Stables

Phase 1
In 1713, Emperor Charles VI commissioned the famous Austrian architect Johann Fischer von Erlach to build an imperial stables complex on the edge of the glacis, opposite the outer castle gate. Construction began in the spring of 1719, and by 1725 the façade—which remains one of the longest Baroque façades in Central Europe—was completed. The stables were located on the ground floor, while the state rooms on the first floor housed the residence of the Chief Master of the Horse.

Phase 2 of Construction
Between 1850 and 1854, Emperor Franz Joseph I commissioned Leopold Mayer to expand the imperial stables in order to create a winter riding school in the Neoclassical style, as well as a summer riding arena located behind it. At that time, the complex was comparable in size to the stables at Versailles.

Old photo of a horse-drawn carriage in front of a tall, old building.
Ludwig Grillich, Hofwagen vor Winterreitschule, 1904 © Wien Museum
Ludwig Grillich_Court stables, now the Ovalhalle. Photo from 1904.
Ludwig Grillich, Hofstallungen Ovalhalle, 1904 © Wien Museum
Johann Bernhard Fischer von Erlach. A prospectus of the Great New Imperial Court Stables from 1721. Black-and-white historical line drawing of a large building complex with symmetrical gardens and people in the foreground.
Johann Bernhard Fischer von Erlach, Prospect des Grossen Neuen Kaysl. Stalls, 1721 © Wien Museum
Main entrance of the MuseumsQuartier. Old picture from 1854.
Andreas Groll, Messeplatz 1 Hofstallgebäude, 1854 © Wien Museum
Watercolor painting of the MQ courtyard by Balthasar Wiegand from 1834.
Balthasar Wigand, Die kaiserlichen Stallungen in Wien am 17. Dez 1834 © ÖNB

Exhibition Hall

Phase 3 of Construction
Following the collapse of the monarchy and the dissolution of the court administration, the Vienna Trade Fair became the new occupant of the Imperial Stables in 1921 and converted the building into the “Trade Fair Palace” for its own use. In 1937, a hall was constructed behind the Winter Riding Hall to replace the former Summer Riding School.

From 1938 to 1945, Nazi propaganda exhibitions were held at the Messepalast. In 1945, the Messepalast was severely damaged by bombs. As part of the reconstruction, two new halls were built in the main courtyard.

In 1946, under U.S. supervision, the Vienna Trade Fair resumed its exhibition activities at the Messepalast. In the early 1980s, the Republic of Austria and the City of Vienna commissioned a plan for the use of the site as a cultural forum.

Black-and-white photo of a large historic building with two equestrian statues on bridge railings in the foreground.
Kohn Brothers Vienna International Trade Fair, 1925 © Wien Museum
Historic black-and-white photo showing two agricultural machines and a tanker truck labeled 'GEMEINDE WIEN' in a courtyard with arcades.
International Hygiene Exhibition in the Messehalle, 1925 © WStLA Martin Gerlach
View through an archway into a large ornate exhibition hall with tall windows, decorative ceiling, multiple display booths, and two large plants on either side.
International Hygiene Exhibition in the Messehalle,1925 © WStLA Martin Gerlach

Museum Quarter

Phase 4
The first stage of the competition takes place between 1986 and 1987. The jury, chaired by James Stirling, recommends seven projects for the second stage (Werner Krakora, Hans Hollein, Ernst Hiesmayr/Rudolf Prohazka, Stefan Hübner, Georg Friedler, Laurids Ortner, Oswald Matthias Ungers).

In 1989, the new Minister of Science, Erhard Busek, took up the issue and set a goal of completing the revitalization by 1995. He commissioned art historian Dieter Bogner and architecture critic Dietmar Steiner to develop a new concept to serve as the basis for the second phase of the competition for the project, now known as the “Museumsquartier.”

The second stage of the competition takes place from 1989 to 1990. The jury selects the project by Laurids and Manfred Ortner. The winning project is exhibited at the Messepalast.

A citizens' initiative is forming to oppose the project. Dieter Bogner is appointed project coordinator and, alongside Günther Bischof, managing director of the construction and operating company. The company is 75% owned by the federal government and 25% by the City of Vienna. The Vienna Trade Fair receives a lump-sum payment of 370 million schillings in exchange for waiving its lease rights.

Criticism from the citizens' initiative continued to grow through 1992, and the Kronen-Zeitung launched a campaign against the project. The “Reading Tower” became a bone of contention.

In 1992, Ortner & Ortner presented a scaled-down version. A nonpartisan citizens’ committee threw its support behind the project. To provide adequate space for the Leopold Collection, a redesign was necessary, which led to a reduction in the size of the remaining buildings.

In 2001, the new buildings were officially handed over to their future users by Minister of Science Elisabeth Gehrer and Mayor Michael Häupl. The grand opening took place on June 29, 2001.

Model of the MQ with several buildings, streets, trees, and a small water basin
Architectural model of the MQ © MuseumsQuartier Wien, Photo: Klaus Pichler
Three people are standing around a table with a model of the MuseumsQuartier Wien on the MQ forecourt with a light-coloured façade.
Model at the MQ Forecourt © MuseumsQuartier Wien, Photo: Paul Bauer
Model of the winning project by Ortner Ortner for the MQ competition model 1990 showing buildings and garden areas from a bird's-eye view.
Ortner & Ortner, MQ Competition model Winning project 1, 1990 © MuseumsQuartier Wien

Timeline

1718

Johann Bernhard Fischer von Erlach's plan for the construction of royal stables to house 600 horses is submitted to the Royal War Council for approval.

1719–1723

Construction of the main wing under the direction of Joseph Emanuel Fischer von Erlach.

1776–1779

Renovation of the main wing.

1809

Damage sustained during the siege by French troops. As part of the renovation work, which lasted until 1815, the pediment on the central risalit and the observation platforms on the side risalits were removed.

1853–1856

A major expansion of the complex and the construction of the indoor riding arena based on plans by Joseph Lang.

1869

As a result of Gottfried Semper and Carl Hasenauer’s design for the “Kaiserforum,” the royal stables were pushed to the margins of the urban landscape.

1893

Otto Wagner presents a project for the construction of the new royal stables. Over the following decades, the site becomes the starting point for architectural and urban planning visions.

1921

Following the collapse of the monarchy and the dissolution of the court administration, the Vienna Trade Fair became the new occupant of the Imperial Stables and converted the building into the “Trade Fair Palace” for its own purposes.

1937

Construction of a riding hall on the site of the former summer riding school behind the winter riding hall.

1938–1945

Exhibitions of Nazi propaganda are held at the Messepalast.

1945

The Messepalast is severely damaged by bombs. As part of the reconstruction effort, two new halls are built in the main courtyard.

1946

Under U.S. supervision, the Vienna Trade Fair is resuming its exhibition activities at the Messepalast.

1977

Minister of Science Hertha Firnberg cites the Messepalast as a potential expansion site for the federal museums.

1980

Political discussions between the city and the federal government regarding the future cultural use of the Messepalast.

1983

Minister of Science Heinz Fischer designates the Messepalast as a cultural forum. A reform group established in 1981 to restructure the federal museums—comprising Hermann Fillitz, Oswald Oberhuber, Roland Rainer, Alfred Reiter, John Sailer, and Harald Sterk—is tasked with developing a museum concept; the Ministry of Construction is tasked with developing a financing plan; and an architectural competition is to be announced.

1984

Minister Fischer commissions a museum concept; Minister of Construction Karl Sekanina entrusts Hans Dichand, publisher of the Kronen Zeitung, architect Peter Czernin, and gallery owner John Sailer with organizing a two-stage competition for the revitalization of the Hofstallungen.

1985

The new Minister of Public Works, Heinrich Übleis, terminates the consulting contracts with Dichand and Sailer. Minister Fischer commissions architects Erich Bramhas, Hermann Czech, and Helmut Kunze to prepare the call for entries for the architectural competition.

1986–87

First stage of the competition. The jury, chaired by James Stirling, recommends seven projects for the second stage (Werner Krakora, Hans Hollein, Ernst Hiesmayr/Rudolf Prohazka, Stefan Hübner, Georg Friedler, Laurids Ortner, Oswald Mathias Ungers). The Messepalast is used by the Vienna Festival.

1988

Minister of Science Hans Tuppy presents a “cost-saving option” for the future “Museum Island.” There is still no agreement on its specific use.

1989

The new Minister of Science, Erhard Busek, took up the issue and set a goal of completing the revitalization by 1995. He commissions art historian Dieter Bogner and architecture critic Dietmar Steiner to develop a new concept to serve as the basis for the second phase of the competition for the project, now known as the “Museumsquartier.”

1989–90

Second stage of the competition. The jury selects the project by Laurids and Manfred Ortner. Exhibition of the winning project at the Messepalast

1990

A citizens’ initiative is forming in opposition to the project. Dieter Bogner is appointed project coordinator and, alongside Günther Bischof, managing director of the construction and operating company. The company is 75 percent owned by the federal government and 25 percent by the City of Vienna. The Vienna Trade Fair receives an advance payment of 370 million schillings in exchange for waiving its lease rights.

1991–92

Growing criticism from the citizens’ initiative, a campaign by the Kronen Zeitung against the project, and an unclear stance from political leaders. The “Reading Tower” is becoming a bone of contention.

1992

Ortner & Ortner are presenting a scaled-down version. A nonpartisan committee of individuals is backing the project. To provide adequate space for the Leopold Collection, a redesign is necessary, which will result in the reduction of the remaining buildings.

1993

The Vienna City Council approved the zoning plan for the redesigned project—which features reduced building volumes and a more prominent location for the Leopold Museum—(over the objections of the ÖVP and FPÖ). A high-profile committee of international art historians protested against the construction of the MuseumsQuartier. The Architekturzentrum Wien became the first new institution to be established on the site.

1994

The Republic’s acquisition of the Leopold Collection, the move out of the exhibition hall, and the resumption of planning. The ZOOM Children’s Museum begins operations on the site. The Messepalast is established by federal art curators as a venue for contemporary art. Politicians remain divided over the project’s future. Dieter Bogner steps down as executive director.

1995

The Kunsthalle Wien is opening a temporary location on the site. A political agreement is reached between the federal government and the city regarding the next steps. Ortner & Ortner, together with Manfred Wehdorn, form a consortium to take over the remaining planning work. The significantly revised project—without the reading tower—is submitted to the Federal Monuments Office.

1997

Building permit, approval from the Federal Office for the Preservation of Historical Monuments.

1998

Construction began under the leadership of the ARGE Museumsquartier consortium (Ast-Holzmann BaugesmbH., Vienna) as the general contractor.

2001

Official handover of the new buildings by Minister of Science Elisabeth Gehrer and Mayor Michael Häupl to the future users. The grand opening will take place from June 28 to 30.

2020

Opening of the MQ Libelle, designed by Ortner & Ortner, on the roof of the Leopold Museum.

2023

Launch of the “MQ goes Green” initiative: transition to renewable energy, increased biodiversity, and landscaping of outdoor spaces based on a design by Anna Detzlhofer.

2024

In the competition for the House of Austrian History in the Klosterhof of the MuseumsQuartier, the project by O&O Baukunst was named the winner.