"I am very impatient. That's why I make these patient films." - MuseumsQuartier Wien
white against poor black, we hated each other. If I would have viewed the rest of my life with that kind of prejudice I would never had grown. But by having other more enlightening experiences, I was able [...] I already got the chance to film in the Natural History Museum. To get access to that building was kind of a once in a lifetime experience. The film has little movement, just two people accidently walking
“Go for the big elements, try to combine them.” - MuseumsQuartier Wien
me a fast reflection of my thoughts, which other media won’t. It’s constructive, yes. So there’s a kind of connection to architecture maybe. What you do, art critics call “modern collage”. The technique [...] Was it too trivial? Probably. They saw nothing but a work of children in it, but for me it was a kind of personal exploration. Suddenly it became en vogue. Also, I guess that many young artists think
"A frame is never just a frame." - MuseumsQuartier Wien
on that same empty wall. I think that it’s basically not possible not to belong to a group. It’s kind of hard to find an identity if no one recognizes your identity. That is what I try to visualize. The
Theo-Mass LEXILEICTOUS on superpowers - MuseumsQuartier Wien
scared. So I had some kind of weird interactions with some organizations. I did many extreme and extraordinary things during my appearances, but it was part of the story. What kind of extreme things? When
Rebel rebel, Yuths! - MuseumsQuartier Wien
kids. I was always the odd one out, doing things you shouldn’t do. I was very quiet, but I had this kind of character. Rebel Yuths in his studio, Photo: Eva Ellersdorfer-Meissnerová So what about your rebellion [...] that are not like the everyday things we know. You can see that in my work. It’s quite different from kind of fashion someone studying at Saint Martin’s might create. I try to do something else, inspired by
"Maybe you should turn it on yourself" - MuseumsQuartier Wien
love that! I would think that was wonderful, especially because the work that I made last year was a kind of incorporation and homage to Arcimboldo. I didn’t actually know that the Kunsthistorische Museum [...] painting I show them in context with the drawings I made in Paris. So, in terms of Arcimboldo, it’s kind of a continuation of that. Both Green Man and its pair, Wild Man (2012) are a case in point, these [...] see something small, possibly a hand. The garden is the „counterpart“, the body is rather isolated, kind of swallowed by the nature. It’s a psychological space as much as it’s a real space, because the garden
Ausstellung „Dive and Run“ im quartier21/MuseumsQuartier Wien - MuseumsQuartier Wien
r Klagenfurt insze-nierenden Schauspielerin und Regisseurin Lore Stefanek sowie ein Workshop für Kinder unter der Lei-tung von Matthias Deumlich statt. Dive and Run 06.03. bis 24.04., Di bis So 13-19h