Skip to main content

Kamilla Dzhaparova

Cube made of various household items including a television, oven, refrigerator, and chairs in an empty room.
© Kamilla Dzhaparova
Rusty spherical object made of intertwined wire hanging from a machine.
© Kamilla Dzhaparova
Two abstract figures made of wire and material, one blue and one white, in front of a rusty metal frame and a round metal object.
© Kamilla Dzhaparova
Man wearing a cap sitting inside a large rectangular concrete block with a circular opening.
© Kamilla Dzhaparova
Sculpture made of old televisions, ovens, and chairs in a bare room with white tiled walls.
© Kamilla Dzhaparova

Key Facts

Nationality
Kyrgyzstan
Area
Visual Arts
Place of residence
Kyrgyzstan
Recommending Institution

BMEIA AiR

Period
November – December 2026
Links

Instagram: @ushundaiqyzyq

Kamilla Dzhaparova (b. 2000, Kyrgyzstan) is an artist and curator based in Bishkek. Her practice moves between video, photography, and painting, exploring memory, landscape, materiality, and the relationship between people and place. Her works often begin with personal observations and everyday surroundings, looking at how places hold memories and how our perception of them changes over time.

Alongside her artistic practice, Kamilla Dzhaparova works as a Museum Coordinator at Tolon Museum of Modern Art in Bishkek. In 2025, she founded Qyimyl, an independent art collective supporting emerging artists and contemporary art initiatives in Kyrgyzstan. Her recent exhibitions include 3WORLD at Tolon Museum of Modern Art and group exhibitions with Qyimyl.

Projectinfo

The project explores different forms of memory and the ways in which stories, images and objects travel across places and generations. Coming from Kyrgyzstan, Dzhaparova is interested in the relationship between material and immaterial cultural memory: from historical photographs and objects preserved in European collections to the Kyrgyz epic Manas, transmitted through generations through storytelling and performance.

During the residency in Vienna, she will research museums, archives and collections holding materials connected to Central Asia, including those gathered during historical expeditions such as those of György Almásy. These encounters will become a starting point to reflect on how memory changes when it is recorded, collected, displaced or retold in another context. Through photography, video and installation, Dzhaparova will explore memory, place, materiality and transmission, allowing the research to develop into a new body of work.