Mirko Mielke - MuseumsQuartier Wien
oo.net Projektinfo Teil der Ausstellung Totem and Taboo im freiraum quartier21 INTERNATIONAL Kinderworkshop "Craft and Skills" im Rahmen von Totem and Taboo
Anouk Wipprecht - MuseumsQuartier Wien
than just the traditional function of coverage and adornment, Anouk’s techno-fashions are one-of-a-kind, architectural, avant-garde statements with bold silhouettes, vested with circuitry and a regalia
Paula Delgado - MuseumsQuartier Wien
say, ultimately, what interests her. The photo shoot serves as another act of authorisation. It is a kind of ritual that gives those selected the power to speak as if they were models, i.e., as if they embodied
Nancy Mauro-Flude aka sister0 - MuseumsQuartier Wien
vaudeville and the concerns of the psyche, her work weaves together transcendent practices of many kinds while feeding from the rot and beauty of contemporary daily life'. -Filter Magazine, Linda Dement
Luljeta Lleshanaku - MuseumsQuartier Wien
London, 2011), Fresco (New Directions, USA, 2002), Child of nature (New Directions, USA, 2010), Kinder der Natur (Edition Korrespondenzen, Austria, 2010), Dzieci natury ( Stowo / Terytoria Obraz, Poland
Kund Kopacz - MuseumsQuartier Wien
served as a platform for sparking up social awareness among individuals who were not engaged in this kind of activity before. Thanks to these events, I got to know the people of (A)casă (<link http: acasacluj
Heike Drewelow - MuseumsQuartier Wien
Projektinfo Zeichnen eines Kinderbuches Dokumentation August 2013 – Artist in Residence auf Einladung der Komischen Künste Wien - Arbeit an den Illustrationen für das Kinderbuch „Füchse lügen nicht“, das
Rainer Riehn - MuseumsQuartier Wien
Wege ( Europeras 1 & 2 ). Als Komponist ist Riehn zuletzt mit dem Streichtrio nichts - als das Kinderspiel eines Erwachsenen hervorgetreten, das 2002 vom trio recherche in Konstanz uraufgeführt wurde. Außerdem
Daniela & Linda Dostálková - MuseumsQuartier Wien
exchange between institutions that opens to a mutual understanding. The proposition is commenting on a kind of generalized aesthetic practice that thrives on a pragmatic stretching of boundaries or on the
Reece Terris - MuseumsQuartier Wien
something new and imposing in this environment, 'Dig' performs a kind of recycling of media and a reshaping of landscape to suggest that this kind of re-contextualization can also be a form of production.