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Pedro Marum

Pedro Marum

Bereich: Bildende Kunst, Performance, Club Kultur

Key Facts




Bildende Kunst, Performance, Club Kultur



Empfehlende Institution

frei_raum Q21 exhibition space


Juli 2019 - Juli 2019

Artist, curator, writer and DJ

Initiator, booker and resident of mina and suspension, Initiator and curator of the community platform XenoEntities Network
Co-founder of the collective and artistic platform Rabbit Hole

marum, DJ and host of VANTABLACK at Rádio Quântica

mina and suspension (March 2017 - ongoing)
Initiator, resident DJ and booker/curator

XenoEntities Network (July 2016 - ongoing)
Initiator, artist and curator

SPEKTRUM Berlin - Art, Technology and Community (July 2016 – December 2018)
Guest curator and technical support

Berlinale – International Film Festival of Berlin (February 2019)
Film moderator

International Rotterdam Film Festival (January 2016 - ongoing)
Curatorial collaborator and film presenter

Furtherfield (September 2015 - 2017)
Collaborator and editor

Queer Lisboa
Film Programmer & Curator (September 2012 – September 2015)
Press Coordinator (March 2010 – May 2013)
Producer (September 2013 – September 2015)
Volunteer Coordinator (September 2011 – September 2012)

Indiewire (November 2011 – December 2012)
Collaborator and editor (European correspondent)

Rabbit Hole (February 2011 - ongoing)
Founder, curator and member of the artist collective


Dance Ordinance

Who is the master who makes the bass beat?
Liberation and dissolution of the limits - these are often used as descriptive traits of the ‘rave', a site for emancipation enhanced by a series of well-known and coordinated technologies of ecstasy.
Although, the suspension of disbelief is a luxury for just a few. From the security teams to the gendered toilets, curfew hours and sound limiters, many are the apparatuses designed to shape, control, ban or shut down. There can be no unbridled ambition of utopia but rather a constant negotiation with the rules and social order. We can abide, bypass and subvert, resist or become invisible, but the dance cannot be stopped. Dance Ordinance will look into the regulations and interferences that operate on clubbing politics in different historical and geopolitical contexts while giving particular insight to narratives of resistance by communities of ravers, artists and party-collectives. With the duration of one or two days, it is presented as a platform that merges performance, installation, sound, talks and curation, including the participation of various agents from the scene.

Guests will include Mariana Vieira, Julius Pristauz, among others. I lived in Vienna and I’ll reach out some musicians, DJs, curators, promoters, dancers, performers, and will try to articulate them in the project.

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