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Mona Vătămanu & Florin Tudor

Mona Vătămanu & Florin Tudor

Bereich: Bildende Kunst, Film

Il mondo novo, film, 3'41", Bucuresti, 2016 © Mona Vătămanu & Florin Tudor

Production line for the future, 1st Ural Industrial Biennial, Yekaterinburg, 2010 © Mona Vătămanu & Florin Tudor

Production line for the future, 1st Ural Industrial Biennial, Yekaterinburg, 2010 © Mona Vătămanu & Florin Tudor

Key Facts




Bildende Kunst, Film



Empfehlende Institution

frei_raum Q21 exhibition space


August 2017 - August 2017

Mona Vatamanu and Florin Tudor, born 1968/1974, work together since 2000.

Selected Solo Exhibitions:

stones, too, feel, Neue Galerie, Innsbruck, 2017; Prapadenia pamantului, Salonul de proiecte, Bucharest, 2016; Flying Utopia, tranzit.sk, Bratislava, 2015; Le monde et la dette, D+T Project, Brussels, 2015; I do not know the real story which happens there, Argos Centre for Arts and Media, Brussels, 2014; 46°19′41″N 23°12′44″E Geamana, Andreas Huber Gallery, Vienna, 2014; All that is Solid Melts into air, Extracity, Antwerp, 2013; I dreamt the work of another artist, Kunsthalle Lissabon, 2013; Powerlessness a Situation. Revolutie, Frankfurter Kunstverein, 2013; The order of things, daadgalerie, Berlin, 2012; Geometric Analogies, D+T Project, Brussels, 2012; Land Distribution, Lombard - Freid Projects, New York, 2011; All Power to the Imagination!, Secession, Grafischess Kabinett, Vienna, 2009; Mona Vatamanu & Florin Tudor, Surplus Value, BAK, basis voor actuele kunst, Utrecht, 2009; August, Andreiana Mihail Gallery, Bucuresti, 2008; Living Units, Project Room, Ludwig Museum, Budapest, 2003.

Participated in: My sweet little lamb (Everything we see could also be otherwise), HDLU, Zagreb, 2017; Still (the) Barbarians, EVA Biennial, Limerick, 2016; Sensitive Zones, Does the map make the world? 49 Nord 6 Est - Frac Lorraine, Metz, 2016; All Men Become Sisters, Muzeum Sztuki ms2, Lodz, 2015; Ortstermin mit Leoni Wirth, Kunsthaus Dresden, 2015; What is to come has already arrived, MUSAC, Museo de Arte Contemporaneo de Castilla y Leon, 2015; A Luxury We Cannot Afford, Para Site, Hong Kong, 2015; Social Factory, 10th Shanghai Biennale, Power Station of Art, Shanghai, 2014; A History, Centre Pompidou, Paris, 2014; Something in Space Escapes Our Attempts at Surveying, Württembergischer Kunstverein Stuttgart, 2014; How to disappear completely, Kunstpavillon, Innsbruck, 2014; Report on the Construction of a Spaceship Module, New Museum, New York, 2014; Atlas of Modernity, The 20th and 21st Century Art Collection, ms2 Muzeum Sztuki, Lodz, 2014; Sights and Sounds, Global Film and Video, The Jewish Museum, New York, 2014; Meeting Points 7, Ten Thousand Wiles and a Hundred Thousand Tricks, M hka, Antwerp, 2013; Videonale.14, Kunstmuseum Bonn, 2013; Général Bordure, Centre d'art contemporain de Quimper, le Quartier, Quimper, 2013; eva International Biennial of Visual Art - After the Future, Limerick City, 2012; Untimely Stories, ms Muzeum Sztuki, Lodz, 2012; Untitled, 12th Istanbul Biennial, 2011; Call the Witness, Roma Pavilion Collateral Event, 54th Venice Biennale, Venice, 2011; Shockworkers of the Mobile Image, 1st Ural Industrial Biennial, Ekaterinburg, 2010; Related Spaces, Ernst Museum, Budapest, 2010; Flying Down to Earth, 49 Nord 6 Est FRAC Lorraine, Metz, 2010; Over the Counter, Mucsarnok Kunsthalle, Budapest, 2010; Blind Spots, Akademie der bildenden Künste Wien, Vienna, 2009; 5th Berlin Biennial, When Things Cast No Shadow, KW Institute for Contemporary Art, Berlin, 2008; 6. Gyumri Biennial, Transformation of History or Parallel Histories, Gyumri, 2008; Art as Gift, Periferic Biennial 8, Iasi; Like an Attali Report, but different: On fiction and political imagination, Kadist Art Foundation, Paris, 2008; 52nd Venice Biennial, Romanian Pavilion, Low-Budget Monuments, Venice, 2007; Terrorvision, Exit Art Gallery, New York, 2004.

Artist in residence: Cite internationale des arts /ICR, Paris, 2016;
AIR Krems, 2015; NTU Centre for Contemporary Art, Singapore, 2014; Para/Site in collaboration with Spring Workshop, Hong Kong, 2014; DAAD, Berliner Kunstlerprogramm, Berlin, 2011; BAK, basis voor actuele kunst, Utrecht, 2009.

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Mona Vătămanu & Florin Tudor


During the residency we plan to research on Fritz Wotruba brutalist church in Vienna and to finish editing of a film we had begun this spring in Bucuresti on a narative thread that initiates in 1933 and builds on the idea of worker emancipation during the last 80 years.

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