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Mikhail Dobrovolskii

Portrait of a man with raised arm in front of a grid pattern in reddish tones.
© Mikhail Dobrovolskii
Large wall artwork made of white tiles with black lines and black squares in a room with large windows and two columns.
Photo: Varvara Toplennikova © Garage Museum of Contemporary Art
Collage of multiple sheets with sketchy black-and-white drawings of crouching people and plant motifs.
© Mikhail Dobrovolskii
Person sitting on the edge of a bed in a sparsely furnished room with bare walls.
© Mikhail Dobrovolskii
Large oval transparent metal and glass table frame in a white room with a suspended semi-transparent oval fabric element featuring abstract patterns.
© Mikhail Dobrovolskii

Key Facts

Nationality
Russia
Area
Applied Art
Place of residence
Voronezh
Recommending Institution

BMWKMS

Period
November – December 2025
Links

@goodwolfskin

t.me/goodwolfskin

Mikhail Dobrovolsky is an artist working across multiple media (painting, graphics, installation, objects, sound). Trained as an architect (Voronezh State University of Architecture and Civil Engineering).

In his practice, Dobrovolsky explores the urban environment as a space of conflicts: between people, humans and “non-humans”, systems and objects. Through images of absurdity, violence and routine, he documents how daily life embeds individuals within the politico-economic landscape.

The artist's methodology combines observation, sketches and multimedia documentation transformed into artistic statements. His “field” sketches serve as tools for social analysis. Dobrovolsky aims to engage viewers in dialogue about injustice and the individual's role in a world driven by competition, hyperconsumption and hyper-acceleration.

Project info

During his residency at MQ, Mikhail Dobrovolsky plans to develop his artistic language and observational methods. He is interested in shifting his perspective — from that of a local resident to that of a visitor — to discover new dimensions in the seemingly familiar and uncover fresh facets of absurdity and chaos. He aims to immerse himself in new sociocultural relationships, historical contexts, and cultural realities. For the artist, this represents an opportunity to expand and enrich his practice.
Dobrovolsky intends to study the context and collect photographic, audio, and textual documentation, which he will then use as the foundation for creating a multi-layered para-documentary statement. His primary goal is to develop the collected materials into a graphic series by connecting its elements and imbuing it with object-like quality. As conceived by the artist, sound and text will serve to complement the work organically.