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Edwin Boye

A person with long, tousled hair is pictured behind small yellow huts in a landscape littered with rubbish, with a sign reading "SECOND HAND".
Adokwei Boye, Second Hand, Digital art, 2025, Photo: Adokwei Boye, Courtesy of the artist
Old yellow-green minibus with damaged front and two large sculptural tree-like objects protruding from it on a road with blurred background and a billboard.
Adokwei Boye, The Urban Drift, Digital print and acrylic on discarded textile, 27 × 22.5 in, 2024, Photo: Adokwei Boye, Courtesy of the artist
The image shows a framed abstract textile artwork depicting a stylized face.
The face is composed of various fabric pieces: brown areas form the head, white stitched eyes, yellow fabric strips as hair, a red shape in the lower area, and blue and beige background elements. The piece has an expressive, handmade, collage-like quality.
Adokwei Boye, You are Perfect, Acrylic on discarded textile, 12 × 12 in, 2025, Photo Adokwei Boye, Courtesy of the artist
The image shows a framed mixed-media textile artwork featuring a central surreal figure. The figure stands on a green field, has outstretched arms, and an eye in the head area. Various fabrics, patterns, and collage elements form the background and border. The piece has a dreamlike, symbolic quality.
Adokwei Boye, No one is coming to save you, Digital print and acrylic on discarded textile, 20 × 25 in, 2024, Photo: Adokwei Boye, Courtesy of the artist

Key Facts

Nationality
Ghana
Area
Visual Arts
Place of residence
Accra
Recommending Institution

MQ Art and Ecology

Period
January - February 2026
Links

@adokweiboye

Edwin Adokwei Boye (b. 1997, Accra) is a visual artist working with Afro-Surreal Expressionism, sustainability, and cultural storytelling. As a self-taught artist, Boye cultivated his passion for art through extensive research while studying Marketing at the University of Professional Studies, Accra. He transforms discarded textiles from Ghana’s secondhand market, beaches and landfills through digital manipulation, image transfer, and painting to explore identity and consumerism.

His solo exhibition Science of My Untamed Thoughts was shown at the Goethe-Institut, Accra (2023). In 2025 he collaborated with Austrian artist Zoe Köbrunner on a public intervention sparking dialogue on textile transformation. Boye received sponsorship from the Goethe-Institut (2023), and his works has been acquired by private and institutional collectors. He has served as Gallery Manager at Berj Gallery Ghana since 2025, following four years as a gallery worker.

Project Info

Edwin Boyes project traces the journey of discarded clothes as they travel between Europe and West Africa. In Accra, I work with textiles from the agbogboloshie landfill, Jamestown beach and Kantamanto Market, one of the world’s largest secondhand clothing hubs, transforming waste into artworks and public interventions that speak to hidden stories of labor, value, and culture.

For his residency at MQ, he wants to bring these garments back into dialogue with the city’s own systems of consumption and disposal. Mariahilferstraße, with its endless flow of new fashion, and the Spittelau waste incineration plant, where trash is burned for energy, represent two ends of this cycle. The artists wants to create artworks and public interventions that weave together clothes from Kantamanto with garments collected in Vienna, symbolically closing the loop.

Through this act of return, he hopes to invite reflection on our shared responsibility in shaping more sustainable futures.