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Anton Lapov

Person standing in front of a screen displaying a 3D wireframe model in a dark room.
© Anton Lapov, Tool Study, 2021
Red light illuminating an outstretched arm holding a homemade hammer wrapped with wire and tape.
© Anton Lapov, Affective Mobilization, 2023
Illustration of an industrial cityscape at sunset with the text "TROUBLE SIDE" in large jagged letters and "SHELTER PARTY" in smaller text above.
© BOCTOK & Lugansk Contemporary Diaspora, Trouble Side Shelter Party, 2022 – 25
Screenshot of a programming environment showing code, a list of file paths, and a grid of distorted faces.
© Anton Lapov, #hero, 2016 – 2019
Four people stand on a partially frozen, marshy area in front of a steep, eroded slope with bare bushes.
© Evgeniy Koroletov, Black Olympus, 2013

Key Facts

Nationality
Ukraine
Area
Digital Art, Sound Art
Place of residence
Kyiv
Recommending Institution

Office Ukraine

Period
July 2025
Links

cargocollective.com/antonlapov

@ercolebambucci

Anton Lapov (Anton Makarevych) is a media artist, computer musician and curator from Ukraine. He has been curating and participating in events in the field of experimental electronic music and media-art in Ukraine and abroad for more than a decade. Lapov's artistic practice combines methodologies of humanities and critical theory with computational aesthetics ideas. At the moment Lapov works on interactive movement-sensing audio environments with the premises that such an artistic medium can stimulate political articulation and production of new non-linguistic knowledge. Beside artistic practice Lapov also investigates and archives contemporary East-Ukrainian artist practices. In 2015 to 2022 he was a researcher in the Open Archive of Ukrainian Media-Art. Lapov holds a MFA degree in Art (with concentration in Digital Technology) from Arizona State University and a master degree in Prehistory and Archaeology from National University “Kyiv-Mohyla Academy.“

Project info

During his residency at MQ, Anton Lapov will present the artist talk “East-Ukrainian Complex.“ In this talk, he will focus on key aspects of his artistic and curatorial practice, rooted in his early involvement with the art scene of the pre-war Donbas.Lapov will reflect on both completed projects and ongoing works, situating them within a broader narrative about the marginalized art and music scenes in Luhansk and Donetsk—from the early 1990s to the present day.
Particular emphasis will be placed on non-institutional forms of artistic self-organization, as well as on strategies of care and resilience developed within the Donbas art community, which has been grappling with the realities of war for over a decade.