Are you tired of not being able to laugh along with clever jokes? After this lecture, all that will no longer be a problem! Siruan Darbandi, Simon Schober and Kajetan Uranitsch - all three certified Homo perfectus© coaches - have developed a system with which you too can achieve perfection.

The Grips'n'Chips ensemble does not shy away from the socially taboo subjects of "digestion" and "pooping" and creates humorous images of a very concrete matter: human digestion.

Young slam poets, word artists and lyricists take note! Here you can tell stories, rhyme, rap, whisper, scream, read or freely narrate. The only conditions are a time limit of 5 minutes, a self-written and performed text and the renunciation of props, disguise and singing.

Out of her fascinations and frustrations, Luisa Fernanda Alfonso embodies and turns around the archetypes of The Character Dancer and The Mariachi – characterised for being hyper-dramatic, hyper-virtuous and hyper-gendered. "Masterpiece" explores both their excesses in the tumult of nostalgic and Latin American associations, hijacking the dance from its legitimacy, legacy and traditions.

The performer feels her way along inner unevenness and geological unrest into landscapes. They encounter sediments and begin to reshape and decompose the physical relief. This relief is (also) the body. A body read as female, which in its materiality seeks to embody nothing other than the body, embarking on a process of excavation and detachment.

The Saturday Hangouts take place every other day of performances as part of the Rakete festival: a programme devised by various guests to pass the time, to listen and perhaps take notes in lectures, readings, workshops, listening sessions and artist talks.

How far can art go? How far does it have to go? Performance artist Pippa Bacca set out in a wedding gown to hitchhike from Milan to Jerusalem in 2008 in order to take a stand for peace and trust among people. Along the way, she was raped and murdered. The first part of "The Bride and Goodnight Cinderella" focusses on Bacca and other female artists who have used their own bodies as a means of protest and a target.

In "MOTHER LOVES YOU", mother and son stop time and the role models become blurred. The play lovingly explores this relationship, which we all know in one form or another. Is it intimate, annoying, vital, secondary? Definitely complex!

In Milo Rau’s first opera treatment, Emperor Tito’s well-wishing commitment degenerates into a strategy of sheer self-preservation, an empty revolutionary platitude. Together with eighteen people who live in Vienna and have partly themselves experienced repressive regimes, the Camerata Salzburg and the Arnold Schoenberg Choir, Rau undertakes an actualisation of Mozart’s last opera.

TQW DOC+ is a monthly interdisciplinary, inter-university forum for theorists on topics concerned with choreography, performance, body, art and politics at Tanzquartier Wien.

A 3-day performance in the MQ Art Box.

Sound performance on the MQ Summer Stage.