Musical star Gernot Kranner takes the children on an exciting adventure trip to the land of fantasy. Children aged 3 and over learn interactively that you can achieve something if you believe in yourself.

Actually, Mila only wanted to get a new string for her kite. But in the attic she comes across a very strange door. Not only can it talk, but it also has a special secret...

In "Cloth Ball Square", Oleg Soulimenko delves deeper into his fascination with materiality and form, exploring possible encounters between bodies and objects and the affective potential of abstraction. Inspired by Wassily Kandinsky’s thinking about geometrical lines and figures as vehicles that transport specific affects, Soulimenko makes cloth, ball, and square the protagonists of his performance.

In a setting inspired by the conviviality of Passover, Tress_passing explores performance and artistic research as practices through which critical, intersectional, pluralist perspectives on and experiences of Jewishness can be elaborated.

Following Mariella Greil’s Morning Practice and in anticipation of the workshop "Verwerfungen & Faltungen: eine choreo-ethische Assemblage", TQW hosts the book presentation "Bare Bodies – Thresholding Life" (Angewandte, DeGruyter, Berlin 2024). This anthology is dedicated to bodies in transition, on thresholds, and at the edges of life, discussed in terms of their artistic, political and existential dimensions.

In a collaborative process, Karin Pauer is developing a performance for the immersive installation "testing grounds" by visual artist Katrin Hornek.

Starting with the female body, Strömquist traces the history of humanity and shows the excesses of binarity. Simon Dietersdorfer and Martin Hemmer follow the comic's brief and get rid of themselves and the double-edged clichés. In the process, the rubble of the gender order collapses.

TQW DOC+ is a monthly interdisciplinary, inter-university forum for theorists on topics concerned with choreography, performance, body, art and politics at Tanzquartier Wien.

With cunning tricks and clever pursuit attempts, Inspector Soso manages to track down the culprit - but only with the help of the audience! Become a witness and help us solve the chaos.

"Exótica" sees itself as an homage to all those forgotten performers of colour who did not find a place in the canon of dance history and are only now slowly being rediscovered.

Based on various texts by Mark Fisher, Lynne Segal, Franco Berardi and Ann Cvetkovich, among others, which we will read and discuss together, as well as through somatic exercises and writing sessions, "negative" emotions should not be understood in this workshop as an individual, self-inflicted deficit but as a collective expression of objection and protest.

Who doesn't know the story of Pinocchio, the wooden puppet with the long nose who doesn't take the truth too seriously and would like to be a real boy? Before he, played by Sophie Berger, can achieve his big goal of becoming a real person, he has to realise that laziness doesn't get you anywhere and that lies don't just have short legs. As part of the KinderKulturParcours 2024.